Leuca, from the Protea family. Photo by Sean Fennessy. |
And that’s where the knocking on doors started. For, despite their collective skills, these three had never created their own hand printed yardage. With all the gumption of do it yourself legends, they got on the phone and asked questions of anyone who would listen. And listen they did.
Lara found herself talking to a retiring printer who was happy to divulge a lifetime of experience before he hung up his apron. He talked, Lara wrote. Reams of notes detailed the tools and techniques of their new trade, as well as minute instruction on how to construct their 10m printing table with interlocking stops. Although the information made little sense at the time, the advice turned out to be pure gold.
Rolls of goodness; old favourites sit comfortably by Ink and Spindle's latest additions. Photo by Sean Fennessy. |
In addition to playing their part to strengthen the industry, this openness has brought the label respect, friendship and a glorious morning tea ritual. Creatives of all genres quickly became Young Husband neighbours, with many sharing the journey with cake and a cup of tea at ‘Ink and Spink’.
These good intentions were also woven into their design process. With the environment at its core, Ink and Spindle worked hard to source sustainable cloth, non toxic inks and develop processes to minimise water usage and waste.
Waratah, taken from a lino cut by Lara Cameron. Photo by Sean Fennessy. |
Lara Cameron, the only remaining member of the original trio, said “Our desire to live, work and create in an ethical and sustainable manner has influenced how Ink and Spindle began and developed. Everything from the materials we carefully select, to our production processes, to our everyday business decisions. It all reflects our aim to walk softly on the earth.”
“We love Australia’s native flora and fauna, but also the energy of the urban environment in Melbourne. It is very important to us that our designs have inherent longevity. Rather than following current design or fashion trends too closely we try to develop textiles that will fit in your life for many years to come” she said.
So Ink and Spindle’s original designs still sit proudly beside their slow grow counterparts. Each roll of organic hemp, linen, cotton and yak is adorned with native motives and the occasional pattern, printed in earthy and neutral hues, along with trademark pops of duck egg blue and turmeric.
Waratah in White and Coal |
Like Waratah, designed by Lara after a trip to the 2012 Capturing Flora exhibition at the Art Gallery of Ballarat. Of the process, Lara said, “I knew that I wanted to firstly develop a lino print and capture the beautiful texture of that medium in a screen print. The carving was done over one rather warm weekend down at Fairhaven, perfect weather to soften the lino!”
Silver Gum in Grey Lead and Inky Blue |
These screens measure 1.8m tall and require two people to print. With a person at each side of the table, the ink is passed from one to the other in a series of interlocking repeats. Through all of the studio activity, the mesmerising printing of their cloth is a constant, with the harmony of each stroke captured beautifully in Artisan Magazine’s fourth issue late last year (non apple viewers can see it on Vimeo).
From every aspect, Ink and Spindle strikes me as such a healthy business. With sleeves rolled up, hearts open and a desire to enjoy their journey, an inspirational business has been created. Starting from little, the label is now strong. Their organic fabrics are truly delightful, and resonate with all of the thoughtfulness and respect with which they are created. I, like many, look forward to the next sure footed and thoughtful steps.
One branch of a Silver Gum lent itself to a repeat - a slowly forming idea in the mind of its creator, Lara Cameron.
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